
Poet & post-punk heroine Eileen Myles has always operated in the art, writing, & queer performance scenes as a kind of observant flaneur. Like Baudelaire`s gentleman stroller, Myles travels the city--wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, & riding in the van with Sister Spit--seeing it with a poet`s eye for detail & with the consciousness that writing about art & culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her--and our--lives in these contemporary crowds. Framed by Myles`s account of her travels in Icel&, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, & a fluidity in national identity as the best model for writing & thinking about art & culture. The essays include fresh takes on Thoreau`s Cape Cod walk, working class speech, James Schulyer & Bjork, queer Russia & Robert Smithson; how-tos on writing an avant-garde poem & driving a battered Japanese car that resembles a menopausal body; & opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan`s Sonnets, & flossing.